Everything a card can carry is above it: a name, a face, an age, a district. What a card cannot carry is the thing the two of you are actually choosing, which is how a woman is in a room with a couple who already know each other well.
Begin with what the photographs are worth. The pictures on each card show the woman whose name sits under them, taken with her agreement, and they come down together with her profile when she leaves the roster. Past that the cards are honest and thin. They will tell you she is twenty-six and which streets she lives among; they will not tell you whether she is quiet.
The first name is easy, the second is not
Most couples settle on one name in a few minutes and then stall completely on the second. The instinct is to match: two of a height, two of a colouring, a matched pair. It is usually the wrong instinct. Two therapists who look alike often work alike, and an hour in which both of them move at the same speed has less in it than an hour where one is slower than the other. A pairing earns the second rate through difference, not through symmetry. With forty-five women on the roster, the material for a contrast is there if you look for it rather than away from it.
When the two of you cannot agree on the second name
Nobody has to settle a shortlist before writing. Send the one name you agree on and describe what the other of you wants from the evening, and the reply lists who else is free at that hour, so the two of you can read their profiles and choose. Disagreement between you is information, and it narrows forty-five names faster than any filter could.
If one of the two you chose is not free, the reply says which one, and the two of you either choose again or move the hour; nobody else turns up at your door in her place.
What the roster spans
Forty-five women, and every one of them twenty-one or over. English across all of it, with a good deal of French, Spanish, Portuguese, Russian and Dutch besides, which occasionally matters to a couple who would rather not spend an evening in a second language. The ages run from the low twenties upward, the home districts are spread right across the ring, and no two profiles read alike once you are past the photographs.
Asking for the same two again
Couples do this far more than single clients do, and it is worth knowing how it actually works. Name both women in your opening message and the reply says whether the two of them are free that night, and, if only one is, which of them. A pair who have worked together before are quicker into a room than a pair introducing themselves at your door, and that, rather than sentiment, is the real argument for repeating a booking.
There is no account and no login for the two of you to look back through. If you remember one name and not the other, send the one you have and describe the second as best you can.
What a profile page holds
Every card above opens onto a page written around her: how she works, what she is asked for most often, the techniques she is trained in, a fuller set of photographs, and the district she lives in, which is not where she works but does tell you something. Read two or three before you shortlist. Cards are built for scanning and pages are built for deciding, and the distance between the two is where most couples change their minds at least once.
Once you have a pairing in mind, the booking page sets out what to send. If the deciding is the part you are stuck on, the guide to arranging an evening between you walks the two of you through it.
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